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“Rara group in Santo Domingo” and “Parang group, Trinidad” and “Orisha ceremony (Shango), Trinidad, 2010” and Endnotes reference these videos, providing the URL and the title (e.g., “Bomba in Loíza, 1993”). “Carabiné (Dominican folk dance)” and “Sarandunga in La Vereda, Dominican Republic, 2006” and “Fiesta of La Señora de la Virgen de Regla, in Baní, Dom. “Bomba in Loíza, 1993” and “Fiesta of Santiago Apostol, Loíza, Puerto Rico, 1993” and “Los Muñequitos de Matanzas, late 1980s” and These videos, made by Manuel over the years since the mid1980s, are posted as follows: Although they may not all be of the highest cinematic quality, they represent many of the genres discussed in this book and, in some cases, portray livelier and more spirited performances than might be seen in professionally produced video documentaries. Hile this book does not have a dedicated supplementary website, video clips of several of the relevant music genres are available on Peter Manuel’s YouTube and Vimeo channels. Unity and Diversity in a Continent of Islands Indian Music and Big Sounds from the “Small Islands”ġ0 ■ Five Themes in the Study of Caribbean Music Voices of the Ghetto, from “Reality” to Shotta Songsĭancing, Sound-System Dances, and Sound Clashes Gal Tunes and Slackness: Women’s Liberation or Degradation? Tellin’ It like It Is, from “Consciousness” to “Slackness” The End of an Era and the Dawn of a New One: From Reggae to Ragga LuciaĪfrican Traditions in a Difficult Climate Music in the Lesser Antilles: Martinique, Guadeloupe, Dominica, and St. Merengue Típico and the Creole Mainstreamīachata: From the Rural Tavern to the Global Nightclub The New Millennium: Holding Pattern or Death Spiral? Music and Island Identity under “Colonialism Lite” The Fiesta Patronal de Santiago Apóstol at Loíza Aldea Puerto Rico and Cuba: “The Two Wings of the Same Bird” The “Special Period” and Its Special Music The Caribbean at a Glance (Country, Capital, Estimated 2015 Country Population) M36 2016 | DDC 780.9729-dc23 LC record available at The paper used in this publication meets the requirements of the American National Standard for Information Sciences-Permanence of Paper for Printed Library Materials, ANSI Z39.48-1992 Printed in the United States of America 9 | Music-Caribbean Area- History and criticism. paper) | ISBN 9781439914014 (e-book) Subjects: LCSH: Music-West Indies-History and criticism. | Philadelphia : Temple University Press, 2016 | Includes bibliographical references and index. TEMPLE UNIVERSITY PRESS Philadelphia, Pennsylvania 19122 Copyright © 2016 by Temple University-Of The Commonwealth System of Higher Education All rights reserved Published 2016 Library of Congress Cataloging-in-Publication Data Names: Manuel, Peter, 1952– | Largey, Michael D., 1959– Title: Caribbean currents : Caribbean music from rumba to reggae / Peter Manuel with Michael Largey. Five Themes in the Study of Caribbean Music.Ĭaribbean Currents Caribbean Music from Rumba to Reggae Third Edition
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East Indian Music and Big Sounds from the “Small Islands”.ġ0. The Caribbean at a Glance (Country, Capital, Estimatedġ. ?Download => Demon Slayer: Kimetsu no Yaiba, Vol.Note on the Accompanying Online Videos. Elsewhere, Tokito, Sanemi and Genya come face-to-face with a villain who recognizes Tokito, but Tokito doesn?t know him. His little sister Nezuko is the only survivor, but she has been transformed into a demon herself! Tanjiro sets out on a dangerous journey to find a way to return his sister to normal and destroy the demon who ruined his life.The Demon Slayers fight hard to get their blades closer to Muzan?s neck! To avenge her family, Kanao must continue to battle Doma head-on while Iguro and Kanroji find themselves slashing through the shifting rooms of Infinity Castle. But his peaceful life is shattered when a demon slaughters his entire family. In Taisho-era Japan, kindhearted Tanjiro Kamado makes a living selling charcoal.
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